A Review of Chimamanda Ngozi Adichie

9 Jan

A while ago, I promised a review of all three of Chimamanda Ngozi Adichie’s books. All were as brilliant as I expected.

Half of a Yellow Sun

This extraordinary book has been widely and aptly classed as one of the best novels from the African continent in recent times. It was set in the 1960s and 70s, from the point of Nigeria’s independence from British rule, to the rise and fall of the Biafran state in South-eastern Nigeria. The book is centred on intriguing characters, all with unique traits that engender the story’s general eclectic brilliance. Chimamanda’s highly descriptive and fluid vocabulary captures the early days of colonial independence, and paints a picture so graphic, it places the reader right into those times. What impressed me especially was her vivid description of the profundity of the early Nigerian intellectual community, and how her constant engagement of ethnic stereotypes relaxed—rather than reinforce—them on the reader. To optimise the tension, Chimamanda skips through time, from the early 60s to the late 60s, and back, yet she maintains, on the reader’s mind, an ease of keeping track with the character’s personalities. Her ghoulish description of war scenes begs the question of exactly how gruesome the deaths and hardships the of Biafran war were.

The book would impress upon the reader a further appreciation of the culture, nationalist, and entrepreneurial spirit of the Igbos in South-eastern Nigeria. Even between the tragic lines of the prose, Chimamanda engaged sharp humour that just keeps you going till you have no more leaves to flip.  This book perfectly paints a graphic picture of reality behind the façade of fiction. It’s a great gate to from which to start navigating the very heart of Nigeria.

My favourite quotes:

“…visitors–company people negotiating deals, government people negotiating bribes, factory people negotiating jobs–…’’ (describing with witty euphemism, the normalcy of corruption entrenched in the Nigerian system of government)

“For a brief irrational moment, she wished she could walk away from him. Then she wished, more rationally, that she could love him without needing him. Need gave him power without his trying, need was the choicelessness she often felt around him.”

“The real tragedy of our post colonial world is not that the majority of people had no say in whether or not they wanted this new world; rather, it is that the majority have not been given the tools to negotiate this new world.”

My Verdict

Do yourself a great favour, and read this book.

My Rating


Purple Hibiscus

Purple Hibiscus is Chimamanda’s first novel, and it’s quite extraodrinary. At 25, she carefully describes the dark walls of religion, along with its consequent furnishing—westernization. The novel is seen through the eyes of an innocent young girl, Kambili, whose weltanschauung is one aggressively dictated by her father, Papa. Papa is a bigoted catholic, perfectionist, and an ironically loving father. He abusively battered discipline into his children, Kambili and Jaja, until they were forced to have a taste of freedom when they vacationed at an Aunt’s house during the peak of a political crisis in Nigeria. It was there Kambili first explored romance and freedom of thought, and Jaja nurtured teenage rebellion against his father.

What later unfolded is best for the reader to discover. Purple Hibiscus is indeed a fascinating book with lucid description of South-eastern Nigeria’s landscape, language, and culture. I do have to add though: It’s advisable to read this book before ‘Half of a Yellow Sun’ if you are going for an Adichie marathon. The latter sets a very high standard.

My Verdict

Worth a read.

My rating


The Thing Around Your Neck

The Thing Around Your Neck is a collection of short stories, a dozen. Here, Chimamanda succeeds in sketching real-life circumstances vividly. These series of tragedies, that only intensifies as the reader progresses, do not necessarily exhale many morals, they rather activate an understanding of some of the many injustices of the society. Nigerian readers would, especially, likely empathize with many characters in most of the stories: the pains and pleasures of Nigeria, the mirage of American dreams, and the differences and similarities of both.

Each story is distinct in plot, and frighteningly real; describing any of them would be doing you a gross disfavour. With the use of an interesting and innovative second-person language in some of the stories, this book promises to be almost as personal to the reader, as it is, obviously, to its author.

My Verdict

Not like any other book you will ever read.

My rating



3 Responses to “A Review of Chimamanda Ngozi Adichie”

  1. Mat January 11, 2010 at 1:18 am #

    Guys trust me. This book is one of the best i have read in quite a while. Chimamanda’s ability to pictorially depict a story and place deep, sharp, powerful images in one’s head is incredible.

  2. Tosinger January 26, 2010 at 2:05 pm #

    I guess its time for me to read them as well.

  3. Olaoluwa Samuel-Biyi November 3, 2012 at 5:45 pm #

    Now get the convenient bundle here


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